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Ballad of the 382

The Cannonball rushing to an appointment in Vaughn

My constant companion, El Somnambulisto, visited again last night. This time he was accompanied by ghosts, and appropriately so as April 30 is the anniversary of an important event of 121 years ago.

When I was a lad of seven, my family moved for a short time from our hometown of Memphis to nearby Jackson, TN. I guess it’s not a surprise that I don’t remember much of that time. In fact, I only remember one thing about that place. There was a small house close to downtown - a place that had been a modest home but obviously was by then a place of importance since it was now a museum. I don’t recall but a single thing about that museum. It would be difficult to forget what was parked in what otherwise would’ve been the car port (little did I know they didn’t have car ports in 1900.) What was parked there was a train engine. That little white clapboard house had been the home of one, John Luther Jones, better known as Casey.

Casey was a legendary train engineer in his day, known for piloting his trains at very high speed. But he wasn’t a daredevil. What he was was punctual. He was often given assignments that left the station late and yet via his skills he managed to inevitably arrive “as advertised” - i.e. on time. And he was proud of his reputation and dedicated to his profession.

On the evening of April 29, he and his fireman, Sim Webb, had already put in a long day. But another trainman called in sick and Casey and Sim were asked to pilot a passenger train on a midnight run south from Memphis, home base of the Illinois Central Railroad down to Canton, Mississippi. Casey accepted the assignment and they hooked up his famous Engine No 382, otherwise known as “The Cannonball.” As usual, the train departed late. Almost an hour an a half late.

Casey and Sim piloted along at points reaching speeds over 80mph - determined and optimistic of making up the lost time. They were almost within 5 minutes of being back on schedule when they approached the town of Vaughn. The weather was damp and foggy.

As often happens, there often is more than one train on a given stretch of track. Some going even in opposite directions, or in the case of that fateful night, a slower freight train up ahead. What happens in these situations is that the slower train will reach a siding and pull off of the main line until passed. That was what was going on in Vaughn. Knowing that the Cannonball was coming up behind them, the freight train was pulling onto a siding. But three things proved the undoing of this otherwise standard procedure. The slower train was too long to fit onto one siding without shifting a few cars off onto a spur; mechanical difficulties in shortening the train to accommodate the spur unwittingly left some cars on the main line; and Casey, Sim and the 382 were now about to arrive “as advertised.”

The siding was on a bend, on the opposite side of Casey’s position in the cab so Sim saw the stationary caboose’s red light first. He yelled to Casey. Casey told Sim to jump which he did. But Casey did not. He knew that if he did not expend every effort to slow the train as much as he could it would result in the deaths of all the passengers that the 382 was towing. There was only one choice. He stuck to his post. He worked with all his might and skill to spin the wheels in reverse even as he blew his famous whistle to warn the trainmen ahead. And while Casey managed to slow down the 382 quite a bit, it slammed through the caboose and two more cars before being tossed from the rails. As a result of Casey’s efforts, though, there was only one fatality that night. Casey Jones was crushed by his own engine, reportedly with the trains controlling arm still in one hand and the whistle pull in the other. He was immortalized as a result.

The Family Lantern

The Family Lantern

As a coincidence, this accident happened just down the road from Tchula, MS, the home of my frequent creative collaborator and distant relative, r. a. smith. Though I have never actually been there, Tchula is a family town for a branch of my family. In fact, the second photo here is of a trainman’s lantern that my Mother made sure I would own with the promise that I would NEVER sell it. That lantern belonged to my great grandfather, Arthur Smith. Mr. Smith actually was using that lantern on the fateful night of April 30, 1900. He was working on the other train.

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Ric Kallaher

Ric is: • a Professional Portrait Photographer specializing in working with small business owners towards enhancing their B2B online goals via executive portraits as well as images that tell the story of a business with on-site photography of facilities &/or product photography ; • an experienced Events Photographer who spectacularly documents high end awards shows and high-society special events, especially in regard to the People of Advertising, Media, Arts and Culture. • an insightful image-maker with a detailed eye who helps interior designers bring their work to life. • an award-winning wedding photographer who helps couples document their special day. Ric's Photographic Mission: To artfully create strong, provocative & transcendent visual records of meaningful relationships & significant moments. Additionally, Ric is a trained actor and experienced music producer who has often been heard applying his voice over talents to ongoing advertising campaigns. He has been the voice on national campaigns for the likes of SuperValu Grocery Stores, Texaco, Kendall Motor Oil, Campbell's Soups and more. He has even appeared ON-camera in an ad for Comedy Central as a scream therapist. His is represented by Ann Wright Reps.

Happy New Year, 2019!

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Happy New Year!

Into the Hat Cave with Art, Commerce & Wabi-Sabi

2019 has hatched & we are on our way — hopefully not IN our way. There’s much work to do (what else is new!); new plans to unfold; the road is stretched out ahead (though the destination is not always clear) and that’s part where fresh, unseen adventures are to be had. For me, a lot of the adventure TRAVELING will more metaphysical than actual: now that the “Hat Cave”, my home studio, is pretty much up & operational one big goal is to follow up on the notion to do more work with still life and motion capture in the service of both art AND commerce.

So, time to roll up the sleeves and get to work. “The Egg” is Project One. It’s an ostrich egg that for decades has been a prized “objet” of mine. Of course, that begs the question as to how & why do I continually find new ways to drop it, break it and, like with Humpty Dumpty, try to put it back together again. This time, though, rather than feel the tragedy I was able to see the opportunity. This ability was revealed to me a few years ago while doing some old-school analog reading (I’ve always found that I’m much more likely to find something interesting to learn simply by turning a page in a newspaper than is the case when flipping thru digital news feeds where we are spoon-fed whatever some algorithm determines we’ll be interested in.) In this instance, I stumbled upon the mention of an author, Leonard Koren, and his series of small books, in particular “WABI-SABI - for Artists, Designers, Poets & Philosophers” which I proceeded to acquire & read with eye-opening delight. Wabi-Sabi can most easily be correlated to ‘patina.’ It is the added value brought to something or someone by virtue of the visual physical transformation that occurs over time. Something invisible is added when there’s a story that can be seen lurking beneath the surface. And so, the broken egg became a story and a photograph because sometimes the broken thing is more interesting than the perfect thing.

Okay, now where’s the glue?

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Ric Kallaher

Ric is: • a Professional Portrait Photographer specializing in working with small business owners towards enhancing their B2B online goals via executive portraits as well as images that tell the story of a business with on-site photography of facilities &/or product photography ; • an experienced Events Photographer who spectacularly documents high end awards shows and high-society special events, especially in regard to the People of Advertising, Media, Arts and Culture. • an insightful image-maker with a detailed eye who helps interior designers bring their work to life. • an award-winning wedding photographer who helps couples document their special day. Ric's Photographic Mission: To artfully create strong, provocative & transcendent visual records of meaningful relationships & significant moments. Additionally, Ric is a trained actor and experienced music producer who has often been heard applying his voice over talents to ongoing advertising campaigns. He has been the voice on national campaigns for the likes of SuperValu Grocery Stores, Texaco, Kendall Motor Oil, Campbell's Soups and more. He has even appeared ON-camera in an ad for Comedy Central as a scream therapist. His is represented by Ann Wright Reps.